![]() ![]() For the most part, this is a hill-profile style of map. From the almost kanji-inspired flora to the elegant, calligraphic mountains, but it’s also familiar. There are some obvious stylistic differences here. A sample of the settlement brushes you’ll find in Ishikawa ![]() It’s a stunning set with loads to offer, and it will help create maps that stand apart from the traditional European-influenced fantasy maps. Today, I am happy to announce the release of Ishikawa, an extensive cartography brush set extracted from 日本海山潮陸圖 (Map of Sea, Mountain, Tide, and Land of Japan) depicting the Japanese islands of Honshū, Shikoku, and Kyūshu during the Edo period. But the version I found was perfect for a brush set, and after pouring over it for hours, I knew with a little work, it would be the perfect source for my first non-European brush set. His maps have been reprinted many times, so I found it a little surprising that it took me so long to come across his work. His work became the foundation of Ryūsen-zu, a style of woodblock map prints, and because of their artistic value, were often printed on folding screens. Ishikawa Ryūsen was a Japanese writer, ukiyo-e painter, and cartographer from the late seventeenth and early eighteenth century who primarily worked for the Edo-period shogunate. So, when I recently came across a 17th-century map from Ishikawa Ryūsen (or Tomonobu), I got excited. (Especially the prolific Dutch.) This is fine, but for a while, I’ve really wanted to diversify my brush sets and bring in more varied approaches and artistic voices.Īll my Map Tools will always be free. There are hundreds of resources out there, but most are limited to western sources and skew more European. Sourcing high-quality images to extract brush sets can be an arduous process, especially if you’re looking for something fresh and unique. ![]()
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